Tuesday, April 06, 2010

And the Winner Is . . .

Well, I actually don't know yet. I'm a little behind on the two great kid's-book battles going on at the moment.

The first is Fuse #8's countdown of the greatest chapter books of! All! TIIIIIIIIIIIIIIIIIIIIIIIIIMMMMME! Well, she doesn't really put it like that, because I imagine her throat would get sore.

As of this writing, she's at #5 (From the Mixed Up Files of Mrs. Basil E. Frankweiler, in case you're interested), having counted down from 100. Some have been a surprise to me (seriously, guys? That many of you liked The Phantom Tollbooth?) and others have made me preen, newly vain in my own clearly excellent taste. Ever the trouper, Betsy is doing one per day. What will be #1? Place your bets now!

The second big contest of the past month has been SLJ's Battle of the Kid's Books. It's been fascinating to read some of the judgments, and my favorite are the ones where the author-judge says flat-out, "This is totally my subjective opinion because they're both awesome, mmkay?" The Peanut Gallery (reactions to the judgments) have also been worth the reading.

But the One Book to Rule Them All turned out to be . . . *drumroll while I check the website* Marching For Freedom by Elizabeth Partridge. As if that's not enough nonfic love, the Zombie Book was Pamela Turner's excellent The Frog Scientist.

Congratulations!

ETA: And if you think you'll go into Book Battle Withdrawal once Betsy's announced her number 1, never fear, for Nerds Heart YA is here. Contestants to be announced soon, according to the website. And there was much rejoicing.

Thursday, April 01, 2010

Reading Roundup March 2010

By the Numbers
Teen: 15
Tween: 5
Children: 5

Sources
Review Copies: 1
Swapped: 2
Library: 18

Standouts
Teen: A Conspiracy of Kings by Megan Whalen Turner
Well, what did you expect? Review soon.
Tween: No Laughter Here by Rita Williams-Garcia
A tween book about female genital mutilation. This was a brave book for Williams-Garcia to write, but the bravest thing about it is that she doesn't fix everything all better in the end.
Children: Julia Gillian (and the Art of Knowing) by Alison McGhee
A tender examination of fear and courage in the heart of a nine-year-old, armed only with a raccoon mask. Review soon.

Because I Want To Awards
So Totally Would Have Won Standout if Not For Eugenides: Some Girls Are by Courtney Summers
Most Wrenching: Willow by Julia Hoban
For the So-Over-Twilight Crowd: Life Sucks by Jessica Abel AND Uninvited by Andrea Marrone
The Weirdest Thing You Will Ever Experience Sober: The Order of Odd-Fish by James Kennedy

Wednesday, March 31, 2010

Rita nominees announced

I dearly love a good romance. I read romance novels from the age of 12 straight through to the age of 20, with occasional breaks for Star Wars sequels. And you can argue that those were kinda romantic too.

Even now that I mainly read children's and YA, I have a special, squishy place in my otherwise cold and black heart for a good love story. So I'm delighted that the Romance Writers of America have a category for Young Adult Romance in their Rita awards, which were announced last week. I'm doubly delighted that this year's nominees are so awesome.

Fairy Tale by Cyn Balog (this is on my list)
Don't Judge a Girl by Her Cover by Ally Carter (Spy vs. Hot Spy fun!)
Perfect Chemistry by Simone Elkeles (on my TBR shelf)
Going Too Far by Jennifer Echols (Hey! I reviewed this one!)
The ABC's of Kissing Boys by Tina Ferraro
Nothing Like You by Lauren Strasnick

Congratulations to all the authors!

Also, since I've only read a pitiful 33% of the nominated titles, let me know what you think of the ones I haven't read yet.

Saturday, March 27, 2010

Book Review: Some Girls Are by Courtney Summers

Book: Some Girls Are
Author: Courtney Summers
Published: 2010
Source: Local Library

Regina is one of those girls. You know those girls, the slavish satellites of the sun that is the most popular girl in school. She is best friends with Anna, the queen of Hallowell High School, which of course means she does all of Anna's dirty work for her. Sometimes it makes her sick, but she always does it, because at least it's not her.

Then she trusts the wrong person, and suddenly Regina is not only popularity history, but the target of all the nastiness that she used to dish out. Not only that, now that she's swimming in the dregs of the school, she's confronted with two of the lives that she helped to ruin: thoughtful loner Michael and Liz, another ex-clique girl. They hardly welcome her with open arms, though. At best, Michael is a foxhole mate, and Liz is openly disdainful. And Regina can't blame them. Because no matter why she did it, she was a bitch.

Now Regina has to negotiate both atonement and survival, and somewhere in all that, find a new self to be.

Oh, sigh. Another book about the scourge of bullies. It'll twist your stomach in all the same old ways. Except this one is different. Because Regina was one of the mean girls before she was cast out, she brings all the dubious skills this has taught her to her war against Anna and Kara. She trips Kara in gym class and trashes her locker. It's all the kind of retaliation that victims have always wished they had the courage for. Of course, this just escalates the war until it comes to physical viciousness, but there's something deeply satisfying about a victim who doesn't take it all lying down.

You can see clearly what a relief her freezeout is for Regina. Even though she's being destroyed in a thousand different ways every day, she never yearns for Anna's friendship again. There are no scenes of, "Oh, how I wish I could just call her up and talk." Because they didn't. Best friend was another term for subordinate. For most of the book, in fact, Regina isn't angry at Anna, but at Kara, the girl who told the initial lie in order to destroy Regina for yet another set of old sins. She takes a long time to start blaming Anna, because she's Anna, who has snowed everyone with her own myth of superiority. Anna is never publicly brought to her knees in the way that many bully books do. Instead, she's threatened with it, and momentarily betrays her vulnerability, and that's what Regina really needs to come to terms with all the previous events: the realization that Anna is no goddess, but just a girl, vulnerable to destruction just like anyone else.

One thing that I kept gnawing on was the apparent blindness of the adults in their life. No parent, administrator, or teacher ever seems to have the slightest inkling what's going on. Midway through the book, Regina's parents threaten her with not being able to see her friends if she keeps skipping class, oblivious to the notion that right now, this would be heaven on earth for her. As someone who works with teens for a living, I thought, "How could nobody have noticed?" As someone who was bullied in my childhood, I thought, "Yep, that's about right." Adults want to believe that we can control and protect our kids, but the truth is, they live in a different world. We're shadowy figures around the edges of their universe, occasionally capable of playing the heavy but more often used in their power struggles.

Summers' first book, Cracked Up to Be, took a somewhat unlikeable girl and actually made her understandable if not sympathetic. Some Girls Are shows that this is no one-off on Summers' part, but a real gift for very difficult characters in situations that ring absolutely true.

Saturday, March 20, 2010

RIP Sid Fleischman

I learned via Facebook that Newbery award-winner Sid Fleischman died on March 17. The link goes to a lovely obituary over at SLJ, so it's definitely worth a click.

I met Sid Fleischman a few years ago at the LA Book Festival, when he was a mere 88 years old. I walked up at the very end of his booth time, as he was clearly ready to go, but he signed my book and listened to me witter fangirlishly with the utmost class and patience.

Condolences to his family and his many, many fans.

Book Review: Leftovers by Laura Wiess

Book: Leftovers
Author: Laura Weiss
Published: 2008
Source: Local Library

Blair and Ardith come from two different worlds. Blair is the daughter of two high-powered lawyers, one of whom is gunning for judge. She lives in a huge, sterile house, surrounded by the emptiness of her absent parents, except when they want to trot out their well-bred daughter for admiring colleagues. Ardith is the youngest child of the town party house, and has witnessed more hollow drunkenness and sexcapades than most college students. Different as they are, they’re drawn to each other, the only other person who knows how it is to live without love. Parental disapproval keeps tugging them apart, and their lives crumble at the edges. Then a terrible event gives them the chance to take their revenge on the people who have hurt them most.

The structure of this story is eye-catching, and luckily, Wiess has the narrative chops to back it up. First, Blair and Ardith are telling their stories, looping back to past events to explain a recent one. (Of course, this brings up interesting thoughts of unreliable narrators, and Blair often appears much different in Ardith's chapters than her own, and vice versa.) They address themselves to a nameless witness, although you figure out who it is by about the middle of the novel, but they are also sitting in front of you, the reader, telling you how and why it happened.

Also, it's told in second person, a tense not often used in fiction. This goes beyond simple storytelling: they are forcing you to live it, to see what they see and understand why they did what they did. It succeeds in two different ways, first in the way intended, and second in making you step back and consider, "What else could they have done?" There's a feeling of inevitability about the story arc, though, all the way to its ugly and morally conflicted ending.

Blair and Ardith are both broken souls, broken by different means and in different ways, but broken nonetheless. As with her first novel, Such a Pretty Girl, Wiess weaves a tale that makes you root for her protagonists and cheer as their tormentors receive their comeuppance. Yet you close the book being deeply troubled about their eventual fate.

Saturday, March 06, 2010

Book Review: Going Too Far by Jennifer Echols

Book: Going Too Far
Author: Jennifer Echols
Published: 2009
Source: Local library

Meg McPherson is getting out of town. But before she does, she's going to have as much fun as illegally possible. Beer, pot, and bad boys all feature on her to-do list. Then a humorless cop arrests her for fooling around on the forbidden railroad bridge. In exchange for not doing jail time, Meg is assigned to a week of nighttime ride-alongs with the police to see all the places she might be headed if she doesn't clean up her act. And just which cop is she riding along with? None other than Officer John After, otherwise known as that cop with the stick up his butt. Yippee!

As the week goes by, however, Meg realizes that he's more than just Officer After. Only a year older than herself, fresh out of the police academy, John is also smart, funny, sweet, and artistic. In the nighttime hours, something more than animosity begins to grow between them, and now, for the first time in her life, Meg can kinda sorta see a future with somebody.

Except that where she doesn't want to do anything but go, John can't think of anything but staying.

I knew Jennifer Echols' name from her work on Simon Pulse's romantic comedy series, which are, well, almost too cute for me. Lots of cartoon covers and curly writing. Seeing her name on this rather hot cover (seriously, why does this make me want to fan myself?) made me blink a little. Then I read it, on the recommendation of several folks on my blogroll. Hooooooo.

Meg is, as they said of Lord Byron, mad, bad, and dangerous to know. John is Dudley Do-Right with about 1000% more brains. Oil and water, gunpowder and a match, call them whatever you like, these two are not exactly the perfect match at first glance. But that's the trouble with first glances, they barely tell you a tenth of the story. Both Meg and John have good reasons to be the way they are. After an early-teens bout with leukemia, Meg is simultaneously determined to live life to the fullest and never to tie herself down, because she might not be around to fulfill any promises. It takes a little longer to get John's backstory, but suffice it to non-spoilerly say, a past tragedy has focused his entire life on the railroad bridge where he arrested Meg. (I did wonder how, in this seemingly infinitesimal town, both Meg and John missed each others' stories so completely. Minor niggle, and such ignorance is necessary for the story to work.)

The book is most definitely for older teens. Besides the aforementioned beer and pot, sex features largely in this book. Meg is casual-verging-on-promiscuous about sex, and there's one scene where she and John are a couple of layers of cloth away from making love. They're also dealing with questions of impending adulthood. Meg is months away from escaping to college, and John has a very adult and very dangerous job. In fact, for a decent portion of the book, Meg thinks he's much older than he really is.

A lot of teen romances are cute (that word again!) tales in which the major obstacle is "He loves me, he loves me not." Which I have no issue with, but there's something infinitely meatier about a story like this, where the obstacles are all tangled up within the protagonists. Meg and John both have to battle the pain of the past and fear of the future to muster up the courage to love each other.

After this book, I might bite the bullet and go find some of those romantic comedies. A little cute won't kill me, and if Echols can put Meg and John together, then she can bring quite a bit of depth to what I had assumed would be shallow waters.

Monday, March 01, 2010

Reading Roundup

By the Numbers
Teen: 21
Tween: 17
Children: 14

Sources
Review Copies: 2
Swapped: 3
Purchased: 3
Library: 32

Standouts
Teen: Going Too Far by Jennifer Echols
A love story that melted me into a puddle of mush. Review soon!
Tween: Leviathan by Scott Westerfeld
Everything we expect from this author, and flying genetically modified jellyfish too!
Children: The Storm in the Barn by Matt Phelan
You can give a five-hour lecture about the Great Depression or you can show just one of Phelan's bleak, dusty spreads to get across the national feeling of despair and fear. Your choice.

Because I Want To Awards
Most Troubling: Leftovers by Laura Wiess
Best Series Windup: Forever Princess by Meg Cabot
Give to Kids Who Want Georgia Nicolson With a Few Actual Problems: My Cup Runneth Over by Cherry Whytock
Snarkiest Good Christian Girl: Emma from What Would Emma Do? by Eileen Cook

Saturday, February 27, 2010

Oh Yeah. It's On.

Are you ready to see children's books duke it out, Hunger-Games-style, to the bloody finish?

No?

Then turn your eyes away, because School Library Journal's second annual Battle of the Kids' Books starts Monday. Who will win? Who will crawl away bleeding? Who will rise from the undead, summoned by the eldritch arts (otherwise known as audience votes)? Who knows?

Follow the bloodbath via Twitter or at the official Battle of the Kid's Books Blog. That is, the blog for the Battle of the Kids' Books. Because no way am I getting involved in battles with my fellow book bloggers. I'm not ashamed to admit I'm terrified of Mother Reader.


Thanks to Fuse #8 for the announcement.

ETA: to correct the name of the sponsor. Scholastic? Where did I get that from?

Tuesday, February 23, 2010

Any Sick Puppies Out There?

How did I forget to note this? Well, whatever the reason, I did, but now I'm cluing you in.

I love dystopic novels. The Hunger Games, The Knife of Never Letting Go, and all their grim and gloomy ilk just make me smile. Something about seeing just how badly humanity can screw up is entertaining to me, what can I say?

Apparently I'm not the only one, because Lenore of Presenting Lenore declared February to be the month of dystopias (dystopiae?). It's a whole month just about that genre, with books for all ages and even some author interviews in there.  Pretty awesome, and doubly awesome is that the books are rated from 1 to 5 Zombie Chickens, with accompanying hilarious clip art. Most excellent, Lenore. She also gave an interview of her own over at Po(sey) Sessions about Dystopian February, which is well worth checking out if you're unfamiliar with the genre or if you've ever wondered just why you're so attracted to it.

The nice thing about being so behindhand on passing this along is that you now have a great list of dystopic novels to add to your TBR list. So. Yeah. It was intentional. That's my story and I'm sticking to it.

What's your current favorite novel about the downfall of humanity?

Monday, February 22, 2010

The Robin and Lisa Diva Reality Show!

Tucson isn't exactly a hotbed of author visits, at least not when the Tucson Festival of Books isn't afoot, but on the 20th, I got to see authors Lisa McMann and Robin Brande at a local Barnes and Noble.

Robin started off the festivities by noting that whatever they said about each other, they were not being secretly bitchy. Well, no more than usual. They promptly attempted to out-diva each other for the whole presentation, to the merriment of all. (We as a society don't use the word merriment nearly enough, don't you agree?)

Lisa started things off by talking about a couple of books upcoming now that the Wake trilogy is finished. Besides Gone, she has a standalone scheduled for early next year, called Cryer's Cross, described as a "paranormal thriller with a love story." Ooo.

She also read from a book called The Unwanteds, due out in the fall of 2011. It's a dystopia (already loving it) about a society that suppresses creativity and purges unwanted children at the age of 13. Uh-oh. Having heard the first scene, I really want it to be 2011 now!

Robin read a hilarious and pivotal scene from her most recent novel, Fat Cat. After some pressure from the audience, she told us that her next book would be called Parallelograms, about a girl who creates an interdimensional portal and meets her parallel universe self! (Gosh, that happened to me last week.) Now, either I wasn't fast enough on the iPod's keyboard or Robin never said, but I don't know when that'll be out.

After those hijinks, Lisa and Robin asked each other questions. Some of them were covered by the cone of silence, but we learned about their writing habits, their earliest attempts at writing, and how long it took for them to get published. In response to some questions from the audience, Robin and Lisa both talked about writing, the craft side and the business side.

To finish things off, they signed books and talked to fans and posed for divalicious photo ops. Thanks, ladies!

Saturday, February 20, 2010

Cybils Book Review: Candor by Pam Bachorz

Book: Candor
Author: Pam Bachorz
Published 2009
Source: ARC from author at KidlitCon

Like Dulac, Candor is the perfect place. The houses are spacious, the families are loving, and kids mind their parents. Just like the good old days, right? If the good old days had subliminal messages, embedding morals in everyone's brain. (We'll talk about the Donna Reed show some other time.) Oscar Banks isn't just a citizen of Candor, he's one of the founders. It was his dad's brainchild, right down to the subliminal messages hidden in the constantly-playing music. Oscar is a glowing example of all that Candor parents want their teens to be: bright, obedient, hard-working, clean in body and mind.

Well. Body, anyway.

Because Oscar Banks has a secret: for a fee, he'll smuggle rebellious teens out of Candor, right out from under his father's nose. He'll supply them with alternative subliminal messages that counteract the ones their parents are using on them. Then he'll get them out of town and far away from the parents who wanted to fix their imperfect child.

When he meets Candor's newest resident, Nia Silva, he just sees another possible client. Then he becomes fascinated with this tough, funny, artistic girl who'll do just about anything to make her parents unhappy. But--as Oscar knows only too well--Nia's only a few Messages away from becoming a perky pastel clone who'll use her pencil for math problems instead of drawing.

If he helps her escape Candor, she'll disappear from his life. If he doesn't, she'll just . . . disappear.

Out of everything intriguing about this book, I think Oscar takes the cake. He's not some activist, fighting the Man, or an idealist, fighting for his beliefs about personal choice and identity. He is instead deeply pragmatic: accepting that there is very little he can do about the situation in Candor and getting what personal benefit he can out of it. Because make no mistake, Oscar's not doing this out of the goodness of his heart. For him, it's a money-maker. He picks and chooses clients based not on how much he likes them or how egregiously their parents are making them change, but how much ready cash they have on hand. While he could probably get away, he doesn't, because for the moment it's more profitable to stay where he is.

It's also his way of self-preservation. Even though he's been exposed to the messages longer than any other teen in Candor, his secret keeps his inner self alive. Unlike the other kids, who've all been molded into the perfect, interchangeable teen, Oscar is himself. Self-involved, cynical, disdainful, manipulative, and greedy, but himself. Instead of the messages, it's Nia who changes him--or rather, his own feelings for Nia change him. By the end of the book, there's someone who's more important to him than Oscar. The ending, while clutch-at-your-face-worthy, is also the best way of showing how far Oscar has come and how much he's changed.

One of my favorite little details in the book was when Oscar burned a CD for a client with the message "I am worthy." That's all it was: "I am worthy." The effect of this message is startling: with only a few repetitions, the two people who listen to it revert dramatically back to their former selves, battling the Messages that have been chipping away at them since their arrival. Because isn't that what's really behind all the other Messages? "You are not good enough the way you are. You need to change. Good people do this. Good people are like this. If you want to be good, you'll change."

There are some loose ends in here, most notably the fate of Oscar's mother. We're simply told that she "left" and while I hoped for a little bit more to the story, it never came, which makes me wonder if the author was headed that way and the story changed on her.

It's a good thing this is sci-fi. Because this could never happen, right? A society could never willingly tell people all day long, "You need to look like a celebrity to be beautiful" or "you need to have gadgets to be happy" or "if you're a good person, you'll go along" or . . . oh. Never mind. This enormously thought-provoking novel will have kids asking, "Just how much is me and how much is the Message?"

Thursday, February 18, 2010

Doormat McLoser, I am Unfriending You

Meet Doormat McLoser. She (or, more rarely, he) is a perfectly nice person, with many fine qualities, often including intelligence, compassion, and a devotion to a less-than-mainstream pastime, like the school newspaper, drama club, stamp collecting or playing the ukelele with her teeth. Unfortunately, she (or he) is also Unpopular. Oh, the angst of being Unpopular. Oh, the horror of sitting at the lunch table slightly closer to the garbage cans. Oh, the pain of being ignored in the hallways by all the People Who Matter. How she ever bear it?

She cannot! She will not! She will become Popular any way she can, no matter who she has to trample on or what she has to give up. It's all in the cause of Popularity!

To do this, she must befriend Glittery LaBeautiful. Everyone looooves Glittery LaBeautiful. She (or sometimes he) is rich, tall, thin (except for her C-cups), blond goddess who has perfect teeth, is a shoo-in for the valedictorian, and was accepted at an Ivy League school as an eighth-grader. She runs the school. Nothing is done without Glittery's say-so. She picks everything from the lunch menu to the spring musical. Ergo, the road to Popularity lies in Glittery's stiletto-heeled footsteps.

Unfortunately, Glittery isn't very nice. In fact, Glittery is a sociopath whose methods would make Hitler sit down with a notepad and pencil, and all her little cabal isn't much better. But Popularity is more important than self-respect, so Doormat will perform whatever wacky and degrading hijinks Glittery dreams up.

Eventually, the line is crossed, and Doormat discovers that her old friends (Awkward Dorkman and Nerdy Geekington III) are her True Friends, and that's all she needs. Oh, and remember Dreamy Boy Doormat Never Noticed Because He Was Just Too Geeky For Her? (You know he's there too, often if not always one of the True Friends.) Now that she thinks about it, Dreamy Boy is sooooo much cuter than the godlike quarterback she dated for about thirty seconds. Luckily for Doormat, Dreamy's just cuckoo for her Cocoa Puffs.

Then it's time for hugs, smoochies, and a vicious takedown of Glittery that utilizes all of Doormat and the True Friends' arcane skill set. That taken care of, everyone rides off into graduation and the glow of acquired self-respect and Glittery's humiliation. The End.

I can't take it any more.

I realize that popularity is a preoccupation bordering on obsession with many teenagers. I understand that in realistic YA fiction, this storyline is a trope bordering on a subgenre. I'm just sayin', I'm over it. No more. Please, God, no more.

I want to scream at Doormat. "For Chrissake, have some self-respect." I want to kick the True Friends for taking her back after she dumped them like the cafeteria's tuna-fish sandwich. I want to decapitate the  Dreamy Boy who may actually have less self-respect than Doormat. Barring decapitation, I want him just once to say, "Yeah, I did like you, but now I'm snogging this smart, confident girl over here who has never once felt the need to dress up like an ear of corn and swim in a vat of tomato sauce at the senior prom. Buh-bye!"

The only one I have no loathing for is Glittery LaBeautiful. Because sociopath she may be, but by God, she  owns it.

There are excellent books with this storyline. But all too often it's the same tired stuff masquerading as wacky hijinx and deeply felt lessons on self-respect, and I'm done. I'll look at the covers, I'll shelve the books, and I'll put them on display when called for. But as the Internet is my witness, I'm never reading one of them again.

This was going to be a tweet. Then it evolved into a Facebook status update (more characters, dontcha know.) Then, as I thought about it, I realized that my rage was too huge to contain in anything less than a full blog post. If you've made it this far, I commend you. Now if you'll excuse me, I'm off to weed my TBR list.

Sunday, February 14, 2010

Congratulations to the Cybils Winners!

It's the day you've been waiting months for, the day we announce the winners of the 2009 Cybils!

Courtesy of the Cybils website, here are the winners:
Picture Book (Fiction)
All the World
by Liz Garton Scanlon; illustrated by Marla Frazee
Beach Lane Books
Nominated by: Cynthia Leitich Smith
Musical text and breathtaking illustrations capture a day in the life of children "from morning sun becomes noon blue" to "crickets, curtains, day is done." From a quiet beach, to a busy garden, to a rained-out park, the fun and work and disappointment are shared and acknowledged in a way that encourages reflection. Diversity is naturally woven into community life where family, friend and neighbor connections cross age, ethnicity, gender and roles, embracing our distinction and our unity. Young readers will love finding the small stories within the pictures or going back to look at the page before to find the "hint" of the landscape coming up on the next page. This charming, lovely book is a delight to read and share.

Picture Book (Non-Fiction)
The Day-Glo Brothers
by Chris Barton; illustrated by Tony Persiani
Charlesbridge
Nominated by: Cynthia Leitich Smith
It’s hard to imagine a world without Day-Glo’s shocking greens, blazing oranges and screaming yellows. But before World War II, those colors didn’t exist. After an accident in a ketchup factory derailed Bob Switzer’s hope to be a doctor, he and his brother Joe, who was interested in magic, set out to find a paint that glowed. Eventually, the Switzers did what nobody else had — they invented new colors. The war produced a need for fluorescent paint, and today it’s everywhere. The brothers’ invention allowed both to do what they wanted; save lives and dazzle crowds.

This book is the first on its topic, a result of original research from family interviews and newspaper clippings. Barton explains the science with a kid-friendly manner and an easy narrative style. Readers can relate to the brothers’ thwarted plans and celebrate their persistence. Persiani’s stylized art evolves with the story, from a dull gray to splashes of color to brilliant Day-Glo tones at the end.

Easy Reader
Watch Me Throw the Ball! (An Elephant and Piggie Book)
by Mo Willems
Hyperion
Nominated by: Melissa
The Elephant & Piggie series continues with another perfectly pitched early reader. The book is a conversation between two friends who speak in simple repetitive phrases about their ball throwing prowess. The illustrations are dynamic and vibrant, offering many clues to help readers decode the text. In just a few words, Willems creates two very distinct, likable characters. Everyone can relate to the central idea that taking joy in what we do is sometimes more important than outstanding achievement.

Early Chapter Book
Bad to the Bone (Down Girl and Sit) 
by Lucy Nolan; illustrated by Mike Reed
Marshall Cavendish Childrens Books
Nominated by: Jennifer Wharton
This dog’s eye view of the world is laugh-out-loud funny. The book is narrated by Down Girl, who has learned her name from how she is most often referred to by her master. Down Girl spends the book trying to teach her master, whom she calls "Rruff," lessons like the need for vigilance where cats and squirrels are concerned and that paying attention to your dog is more important than house painting. The combination of humor and distinctive voice in Nolan’s writing made this a winning book.

Poetry
Red Sings from Treetops: A Year in Colors
by Joyce Sidman; illustrated by Pamela Zagarenski
Houghton Mifflin Harcourt
Nominated by: Elizabeth Bird
Observation, discovery, connection . . . Red Sings From the Treetops embodies everything  poetry is meant to be. The vivid words of poet Joyce Sidman -- which are fresh even when writing about the oldest of concepts, color -- and the gloriously hue-soaked pictures of illustrator Pamela Zagarenski combine  to create a poetry book that is both thoughtful and exuberant. Readers can hunt for small details in the sweep of larger images and thrill to a-ha! moments of discovery. They can read the book as one full, circular story or as a series of individual, eye-opening poems. Either way, the beauty of this book will leave them feeling  connected to something larger than themselves.

Graphic Novel
The Secret Science Alliance and the Copycat Crook
by Eleanor Davis
Bloomsbury USA
Nominated by: Scope Notes
This book rose to the top of a strong selection of finalists because of the richness and variety of ways Davis engages the graphic novel format. This is a story that could not be told in any other form but  comics. Charts, diagrams, maps and lists all pour forth, creating a wealth of material for the reader to come back to and get lost in. The art is accomplished, with rich inks and a humorous line that captures the tongue-in-cheek sense of old-school adventure in the story. Of particular note are the characters, three very different kids who discover they have very similar interests in the fun, dramatic and loopy possibilities of not just science, but "Science!"

Fantasy & Science Fiction
Dreamdark: Silksinger (Faeries of Dreamdark)
by Laini Taylor
Putnam Juvenile
Nominated by: Melissa
The judges were blown away by the three-dimensional world-building, believable characterization, lyrical writing and non-stop adventure of this complex fantasy. Silksinger picks up where Blackbringer left off, as fairy champion Magpie fights to find the sleeping Djinn and restore them to their rightful places of power. We meet two new fairy heroes along the way, each with secrets of his or her own. Themes of friendship and betrayal are explored in a way that doesn't shy away from ambiguity or nastiness, while retaining strong appeal for middle grade readers. Although it is a sequel, Silksinger is satisfying on its own -- but why wouldn't you want to start with the first book in this compelling series?

Middle Grade Fiction
Chains
by Laurie Halse Anderson
Simon & Schuster
Nominated by: melissa
Chains is a novel with guts and heart and an unforgettable central character. It tells the story of two slave girls, Isabel and her sister Ruth, who are sold in the 1770s to a wealthy Loyalist family. They're taken to New York where Isabel gets swept into the intrigue of the Revolutionary War, becoming a spy for the rebels.

Anderson writes in such a way that both the characters and New York City at the time come vividly to life. The everyday nature of cruelty is realized, and what was not shocking then, will be to today's readers. From the opening moments straight through the streets of New York, Anderson has readers hoping and praying that Isabel will make it through. It is incredibly well researched, and the historical detail flows seamlessly, never feeling like a lesson. The opposite of dry fact, here is an unflinching look at a cruel time. Expect Isabel's story to grab onto you and hold tight till the end.

Cybils Awards For Young Adult Books

Non-Fiction
The Frog Scientist
by Pamela S. Turner; illustrated by Andy Comins
Houghton Mifflin Harcourt
Nominated by: Laurie Thompson
The Frog Scientist covers the ongoing research of biologist Tyrone Hayes into the effects of atrazine on frogs. Atrazine is the most commonly used pesticide in the United States, but Hays has discovered that exposure to atrazine causes "some of the male frogs to develop into bizarre half-male, half-female frogs." His careful development, both in the lab and the wild, of experiments researching diminishing frog populations is an example of science at its best.

Author Pamela S. Turner shows the control Hayes and his assistants exert over their experiments so there can be no questions when their results are determined. For this real-world example of textbook standards alone, The Frog Scientist would be a winner. That Turner makes the biologist's very compelling personal story key to the book's narrative raises it above similar titles in the field. Teens will find the heavily illustrated volume visually appealing but more significantly be intrigued by this powerful example of significant science at work. It's nonfiction writing (and photography) at its best, and incredibly inspirational to boot.

Graphic Novel
Gunnerkrigg Court: Orientation
by Tom Siddell
Archaia Press
Nominated by: Paradox
Strange happenings at a mysterious British boarding school involving magic. A talented student who seems to have unique and special abilities. And the dark past of the characters' parents has come back to haunt them all. These elements, which may on the surface seem so familiar, are brought together in fresh and inventive ways in Gunnerkrigg Court. Tom Siddell has published nearly 300 pages of his webcomic in this first collection, and the length really allows for the reader to absorb the entire spectrum of adventures presented here: protagonist Antimony Carver and her growing assortment of friends have humorous, creepy, action-packed and mysterious storylines, all of which allow us to see the different facets of Annie's complex and fascinating world. It also puts lots of meat on the bones of those seemingly overly familiar story elements, to tell tales both unexpected and new.

Fantasy & Science Fiction
Fire
by Kristin Cashore
Dial
Nominated by: Jenny Moss
As her homeland of the Dells descends into civil war, Fire struggles with changing relationships and her own dangerous powers. If she misuses her gifts, she runs the risk of turning into her psychotic and amoral father. But if she doesn't use them at all, her beloved kingdom and the royal family she has come to love may be lost forever. Nobody combines the fantasy and romance genres like Kristin Cashore. With preternaturally beautiful monsters and unruly children, psychic powers and very human power struggles, her masterfully crafted worlds are close enough to ours to make sense and different enough to captivate.

Fire herself is a dynamic character, a mix of vulnerability and strength, and she is surrounded by others who challenge and support her, especially in the character of Brigan, one of the few who sees beyond her stunning beauty to the complex young woman beneath. Throughout the book, Fire learns to see the people she loves in shades of grey, and in the process learns to accept her own virtues and flaws. Out of all the books we read, this is the one at the top of everybody's list. It's great, start to finish, with appeal for both boys and girls, and the moment you finish it you'll want to read it again.

Young Adult Fiction
Cracked Up to Be
by Courtney Summers
Macmillan
Nominated by: Robin Prehn
Cracked Up to Be, Courtney Summers's debut novel, is a page turner that is sure to please. Once a model student and cheerleader, Parker Fadley has given up that life and turned instead to drinking and failing classes. But what could have caused this sudden change? Spare writing, carefully placed flashbacks, and strong character development create an intense and fascinating read, while the mystery unfolds. Whether or not you fall in love with Parker, her story will not soon be forgotten.
Congratulations to all the finalists and the winners! Also, many kudos to the judges and the administrators. I can tell you, it's a lot of fun, but oh boy, is it a lot of work too!

See everyone next year!

P.S. What's this Valentine's Day I keep hearing about? Is there chocolate for it?

Thursday, February 11, 2010

Final Hunger Games Title!

And it's . . . Mockingjay. Aaaand the cover is off to your right. It releases August 24th, and trust me, there are not going to be any ARCs for this.

Now comes the rabid speculation. How will Kat and Peeta (feh, I know not this Gale you speak of) and the other revolutionaries bring down the corrupt Capitol government? Who will bite it? Because I wouldn't put it past Suzanne Collins to kill off somebody beloved and important. I have my money on Kat, but that's because I'm a terrible, heartless excuse for a human being.

In other news, has anyone seen my dignity? I think it fled after I let out a fangirl squeal fit to shatter glass when I saw the news on Tasha "Kid's Lit" Saecker's Twitter feed.

Eh, not like I was using it anyway.

Wednesday, February 10, 2010

Top 100 Chapter Books of All Time

If there's a poll to be done, trust Betsy Bird to take it on. Her latest project is the top 100 chapter books of all time. That link goes to numbers 100-90, but she's added links to the rest of the list at the bottom.

I meant to post about this while the poll was open, but kept putting it off until--oops!--it was closed. So I'm linking to the results. What do you think? Agree or disagree? For my money, the best part is reading the snippets that other people sent in with their favorites. Although I have to say that her inclusion of all the various covers and trailers from movie adaptations is pretty cool as well.

Monday, February 01, 2010

Reading Roundup: January 2010

By the Numbers
Teen: 26
Tween: 12
Children: 16

Sources
Review Copies: 3
Swapped: 4
Purchased: 3
Library: 35

Standouts
Teen: Going Bovine by Libba Bray
The weirdest, most hopeful, and funniest book about a dying teenager you'll ever read.
Tween: The Girl Who Threw Butterflies by Mick Cochrane
So much more than a Dead Dad book.
Children: The Frog Scientist by Pamela S. Turner
Exquisite pictures and awesome science. Entertaining nonfiction for kids at its best.

Because I Want To Awards
Most Interesting Combination of Religion and Sexuality: Thinking Straight by Robin Reardon
Most Depressing Ending: The Spectacular Now by Tim Tharp
Frack It, I Knew I Was Gonna Cry: Before I Die by Jenny Downham
Most Awesome Square Peg Girl: TIE Theodosia Throckmorton and Enola Holmes
Creeped Me Right Out: Uncle Montague's Tales of Terror by Chris Priestly

Saturday, January 23, 2010

Book Review: The Spectacular Now by Tim Tharp


Book: The Spectacular Now
Author: Tim Tharp
Published: 2008
Source: Local Library

Sutter Keely isn't just the life of the party, he is the party. He's the one who'll jump in the pool with all his clothes on or start belting out Dean Martin songs to counteract the cheese-headed pop they've been playing all night. So what if he starts drinking several hours before the party starts? He just likes to be fortified. A little whiskey and 7-Up in the morning never did anyone any harm, right? You only live once, might as well live in the now.

But as the end of senior year bears down on him, now is quickly turning into the future. What will happen to Sutter when the party ends?

I can't remember the last book I finished where I wanted to reach into the pages and give the main character such an almighty smack upside the head. I spent most of the novel in a mounting state of fury with Sutter and his apathy, and it's a testament to Tharp's fine skill at balancing this frustration with Sutter's extreme charm and longing for something meaningful that this book didn't hit the wall. I heard a lot of talk about Sutter's drinking, but to me, this wasn't a book about alcoholism. There aren't any scenes with DT's, pink elephants, or an overwhelming thirst that will get him through the next minute. While he's clearly headed that way, Sutter's real problem is that he wants everything and everyone to stay the same, because he knows how to handle the same. He knows who he is in high school--fun lovin' Sutter, life of the party. He has no idea what he is without the party, and doesn't want to look too closely, because he might discover that he's nothing.

Strangely for such an apathetic guy, Sutter is always helping people. His first action in the novel (other than pouring himself a drink) is to pick up a six-year-old hitchhiker and take him back home. He's always got a project, some way of making somebody else's life better, from setting up his best friend to boosting the class nerd's confidence. While this makes him a marvelously sympathetic character, this habit has a darker side. If he didn't have a project, he would have to stop and look at his own life, which is surely the biggest project he could ever undertake. But he won't. You know this throughout the book, and even at the end where another author would have a road-to-Damascus moment, Tharp acknowledges that Sutter just doesn't have the guts to change himself, even though he could.

At the same time, Tharp clearly shows why Sutter might be afraid of the future. He has precious few examples of a meaningful life ahead of him. What's he going to do, marry a vapid person with a nice house like his sister and lead her empty life? Stay in his job at a slowly dying menswear store? Join the military and be blown up in Afghanistan? Yippee. Where's that clipboard? Sign me up! More, Sutter has nobody to show him what he could be as a man. Every man in this novel is absent, either physically or emotionally--from his blustery stepfather to his neo-yuppie brother-in-law to his father, MIA since the divorce. Even minor adult male characters are less than emulatable. The one exception is his boss, who even though he's stuck in the same dead-end job as Sutter, has a family he adores.

Toward the end, Tharp balances this teen angst with multiple chances to change. Sutter's girlfriend wants to move to St. Louis and go to college together. His boss promises not to lay him off if he can promise to stay sober at work. But Sutter turns away from these lifelines, unwilling to try. Even the events that might shock him out of his apathy--finally meeting his absent father, having a car accident that hurts his beloved girlfriend--don't work. If Sutter put in a little effort, he could have the meaningful life he longs for, but this is a boy who isn't willing to work at an algebra set because he feels as if he'll just fail anyway.

This book had the most depressing ending I have ever read in a teen novel, and that includes the ones where kids throw themselves under trains. I say this because even though Sutter is alive at the end, you can see his future in Technicolor, and it's not pretty. He's not throwing himself under a train, he's letting inertia drag him toward the tracks. The end of high school is a scary time for most kids, who will see both their own fears and the need to face them in Sutter's story.

Thursday, January 21, 2010

More Cover Controversy

Hey, this feels familiar.

So Magic Under Glass, an upcoming YA fantasy romance by Jaclyn Dolamore, gets this cover:

I think it's a pretty cover, if kinda generic. But the heroine is described in the book as dark-skinned, and while the lighting's somewhat dim on the cover, it's not dim enough to disguise up the lack of melatonin in that young lady. Also check out the trailer below for how the author pictured the heroine, Nimira.


Oh, brother.

I've heard murmurs over the past week or so as people started reading it, but Ari over at Reading in Color really turned the murmurs into shouts.

Didn't we just do this? I'm not being snarky at the bloggers who are--correctly--stirring up a dust about this, but at the publisher. It's the same one. Really, Bloomsbury? Didn't anyone involved in cover decisions take a hint from last summer's bad-publicity storm? And yes, they just announced plans to change the cover, but wouldn't it have been so much better if someone in-house spoke up and said, "Hey, I know cover models don't always match the inside description exactly, but this is a bit much, y'know? Let's go back to the drawing board, mmmkay?"

Dolamore has gotten some flack for not speaking up in the same way as Justine Larbalestier, but honestly I don't blame her for playing it maybe too cautious. She's a debut author, a tricky time for anybody, and most likely she didn't want to rock the boat. Here's what Dolamore had to say about the controversy.

Some people are calling for a boycott on the book. I think that's shooting everyone in the collective foot. This individual book is not the problem--it's a symptom.

I could gather up all the relevant links, but it's late, so I'm going to point you at Bookshelves of Doom, which has a nicer roundup than I could do if I had the whole night.

ETA: I forgot to mention that sharp-eyed cover mavens have now realized that a character described and illustrated as brown-skinned in Little, Brown's Mysterious Benedict Society series has been consistently portrayed in alabaster tones on the covers. It's the same illustrator, even, so I'm at a loss here, folks.

Tuesday, January 19, 2010

2010 Awards Reactions

Now that we've had a bit over a day to digest this crop, it's time for the reactions!

Two things to mention about the awards overall.

1) Was it me, or was there a lot more nonfiction sprinkled throughout the awards this year? Between Claudette Colvin and Charles and Emma, biographies had a strong showing, but straight-up nonfiction also made showings in the Odyssey award (for best audiobook) and Coretta Scott King winners. Plus of course, the Edwards award went to a writer of primarily nonfiction. Interesting. Do you think this was because it was a good year for nonfiction, or nonfic's profile is rising in the literary world?

2) I'm pretty awesome, because I had (count 'em) two of the honorees checked out from the library already. Maybe it's not all that important, but I think it's pretty cool, and I look forward to reading Going Bovine and The Mostly True Adventures of Homer P. Figg in the next three weeks to see if I agree with the committees.

Newbery
Honestly? Not shocked. All the books had gotten a lot of love and buzz, with perhaps the exception of The Mostly True Adventures of Homer P. Figg, which I'd heard about as a good book but not as a possible award-winner. Although Patti of Oops . . . Wrong Cookie (hee!) commented that she fought like a tiger for Homer in her library's Mock Newbery. Don't you love saying "I told you so," Patti? So maybe I was reading the wrong reviews.

I was sad that Heart of a Shepherd and When the Whistle Blows didn't get mentioned, because I really loved both books and I thought for sure I'd hear one or the other listed.

Printz
"It's about a kid with mad cow disease. On the road. With a dwarf. No, really." I've heard Going Bovine is great, and I trust the ones who tell me so, but that description doesn't exactly make "award" leap to mind. Of course, I have yet to read it.

The rest of the list was surprisingly low-radar. Just like Homer, I'd heard of them, but not in the same breath with "award." I find it kind of fun when that happens, because that spreads the love around. Of course, the flip side is that there were a lot of books that people think should have gotten honored, like Wintergirls and Marcelo in the Real World. The latter at least got the Schneider Family award, but nothing for Lia and Cassie. Them's the breaks, I guess.

In sum
There's been many a book that succeeded without a sticker and some that tanked with it. In the end, it's all about the kids and teens, reading and enjoying. What do you think will be their reaction to this year's winners?

If you're interested in my thoughts on the picture book and early reader awards, hop on over to Kid Tested, Librarian Approved.

Additional fun!

Two more things that just made me giggle:

Grace Lin, in jammies tres elegant, reacts to the news of her Newbery Honor.

Katherine BoG, a bookstore owner in Tehran, gloats via shelftalker.
Share photos on twitter with Twitpic
If you can't quite read it, click the picture to go to Twitpic for the much higher quality original.

Monday, January 18, 2010

2010 Newberians, Caldecottites, and All the Rest of Them

The Three You've Been Waiting For

The John Newbery Medal (for the best children's novel of the year)
When You Reach Me by Rebecca Stead
(H) Claudette Colvin: Twice Toward Justice by Philip Hoose
(H) The Evolution of Calpurnia Tate by Jacqueline Kelley
(H) Where the Mountain Meets the Moon by Grace Lin
(H) The Mostly True Adventures of Homer P. Figg by Rodman Philbrick

The Randolph Caldecott Medal (for the best picture book of the year)
The Lion and the Mouse by Jerry Pinkney
(H) Red Sings from Treetops illustrated by Pamela Zagarenski, written by Joyce Sidman
(H) All the World illustrated by Marla Frazee, written by Elizabeth Garton Scanlon

The Michael L. Printz Award (for the best YA novel of the year)
Going Bovine by Libba Bray
(H) Charles and Emma: The Darwins' Leap of Faith by Deborah Heiligman
(H) The Monstrumologist by Rick Yancey
(H) Punkzilla by Adam Rapp
(H) Tales of the Madman Underground by John Barnes

The Rest of Them (You knew there were more, right? Don't worry, I won't tell.)

The Alex Awards (for ten adult books with teen appeal)
The Boy Who Harnessed the Wind: creating currents of electricity and hope by William Kamkwamba and Bryan Mealer
The Bride's Farewell by Meg Rosoff
Everything Matters! by Ron Currie
The Good Soldiers by David Finkel
The Kids are All Right: a Memoir by Diana, Liz, Amanda, and Dan Welch
The Magicians by Lev Grossman
My Abandonment by Peter Rock
Soulless by Gail Carriger
Stitches by David Small
Tunneling to the Center of the Earth by Kevin Wilson

The Andrew Carnegie Medal (for excellence in children's video)
Don't Let the Pigeon Drive the Bus produced by Weston Woods

The Coretta Scott King Book Awards (for the best book about the African-American experience)
Author
Bad News for Outlaws: the remarkable life of Bass Reeves, deputy U.S. Marshall by Vaunda Micheaeux Nelson, illustrated by R. Gregory Christie
(H) Mare's War by Tanita S. Davis
Illustrator
My People illustrated by Charles R. Smith, written by Langston Hughes
(H) The Negro Speaks of Rivers, illustrated by E. B. Lewis, written by Langston Hughes
John Steptoe New Talent
The Rock and the River by Kekla Magoon
Virginia Hamilton Award for Lifetime Achievement
Walter Dean Myers

The Margaret A. Edwards Award (for the YA author who's made a lasting contribution to the field)
Jim Murphy

The May Hill Arbuthnot Lecture Award (for an individual in the field of children's literature, who will then present a paper at ALA's Annual Conference)
Lois Lowry

The Mildred L. Batchelder Award (for the best translated children's book)
A Faraway Island by Annika Thor, translated from Swedish by Linda Schenck
(H) Big Wolf and Little Wolf by Nadine Brun-Cosme, illustrated by Olivier Tallec, translated from French by Claudia Bedrick
(H) Moribito II: Guardian of the Darkness by Nahako Uehashi, translated from Japanese by Cathy Hirano

The Odyssey Award (for the best children's audiobook of the year)
Louise, The Adventures of a Chicken by Kate DiCamillo
(H) In the Belly of the Bloodhound by LA Meyers
(H) Peace, Locomotion by Jacqueline Woodson
(H) We Are the Ship by Kadir Nelson

The Pura Belpre Award (for the best children's book about the Latino/a experience)
Authors
Return to Sender by Julia Alvarez
(H) Federico García Lorca by Georgina Lázaro, illustrated by Enrique S. Moreiro
(H) Diego: Bigger Than Life by Carmen Bernier-Grand, illustrated by David Diaz
Illustrators
Book Fiesta!: Celebrate Children’s Day/Book Day; Celebremos El día de los niños/El día de los libros illustrated by Rafael López, written by Pat Mora
(H) Diego: Bigger Than Life illustrated by David Diaz, written by Carmen Bernier-Grand
(H) My Abuelita illustrated by Yuyi Morales, written by Tony Johnston
(H) Gracias Thanks illustrated by John Parra, written by Pat Mora

The Robert F. Sibert Medal (for the best children's nonfiction book of the year)
Almost Astronauts: 13 Women Who Dared to Dream by Tanya Lee Stone
(H) The Day-Glo brothers: the true story of Bob and Joe Switzer's bright ideas and brand-new colors by Chris Barton
(H) Moonshot: the Flight of Apollo 11 by Brian Floca
(H) Claudette Colvin: Twice Toward Justice by Philip Hoose

The Schneider Family Book Award (for the best book about the disability experience)
Young Adult Novel
Marcelo in the Real World by Francisco X Stork
Middle Grade Novel
Anything but Typical by Nora Raleigh Baskin
Picture Book
Django by Bonnie Christensen

The Theodore Seuss Geisel Award (for the best early reader book)
Benny and Penny and the Big No-No by Jeffrey Hayes
(H) Pearl and Wagner: One Funny Day by Kate McMullan
(H) Mouse and Mole: Fine Feathered Friends by Wong Herbert Yee
(H) Little Mouse Gets Ready by Jeff Smith
(H) I Spy Fly Guy by Tedd Arnold

The William C. Morris Award (for the best YA novel by a first-time author)
Flash Burnout by L.K. Madigan

YALSA Award for Excellence in Nonfiction
Charles and Emma: The Darwins' Leap of Faith by Deborah Heiligman
Almost Astronauts: 13 Women Who Dared to Dream by Tanya Lee Stone
Claudette Colvin: Twice Toward Justice by Philip Hoose
The Great and Only Barnum: the tremendous, stupendous life of showman P.T. Barnum by Candace Fleming
Written in Bone: buried lives of Jamestown and Colonial Maryland by Sally Walker

And now it's all over but the online arguing, and that can go on forever. What made you do a little dance? What was robbed, I tell you, robbed? Tell me in the comments!

Saturday, January 16, 2010

Book Review: Forest Born by Shannon Hale

Book: Forest Born
Author: Shannon Hale
Published: 2009
Source: Local Library

Rinna has always been the good daughter, the good sister, the good aunt. What nobody in all the crowd of her relatives knows is that she has a secret, monstrous ability that she has suppressed for years out of fear of what she might or could do with it. When her brother Razo offers her the chance to accompany him back to the castle and meet his friend the queen, she leaps at it, believing that in the city she'll find the answer to the question of what is wrong with her. But just as she couldn't bury it, she also can't run from it. It's not long before she's tangled up in battle against someone who has the same terrible gift, and who's much, much better at it. Can Rinna harness her dreadful power long enough to rescue her newfound friends?

This is the fourth (and according to the author's blog, probably last) in the Books of Bayern series, and as such I grabbed it up. "Girl power" is such a cliched term lately but it's one that can unironically be applied to this series, which is about strong girls playing on international stages. Do I think Forest Born is absolutely the bestest thing ever written by anybody? No. It's a good book, especially for those who enjoyed the first three books, but it doesn't stand out from the rest of Hale's backlist (and that's okay, because she's a consistently good writer). I wanted to write this review because I feel like Hale is saying something interesting about girls and women in the character of Rinna, and writing it out is a way of unpacking it a little more.

Rinna has a gift for making people do what she wants. This isn't just someone with a lot of charm or a mighty force of will, but a truly supernatural power for manipulation and coercion. She has suppressed that gift, becoming instead the person that everybody else wants her to be: Ma's steady helper, her brother Razo's sidekick. She consciously takes on character traits from those she's currently with, becoming what they want her to be, which is often a reflection of themselves. In a way, this is a facet of her gift: she knows what they want and she gives it to them. Of course, as any number of women can tell you, the dark side of this habit is that she doesn't really know who Rinna is.

In our culture, women and girls are not supposed to desire things or people. We shouldn't be greedy, we shouldn't be lustful, or nobody will love us. Rinna first uses her power as a child, when she forces a relative to give her some items she covets. The second episode isn't until years later, when she forces a neighbor boy to kiss her. After both these episodes, she draws back from this terrible power, convinced that nobody will love her if they find out what she can do. Feminist sisters arise, this girl is oppressing herself!

And yet . . . and yet . . . patriarchal terror of female power aside, Rinna's gift really can so easily slide into monstrosity. She knows what to say in order to get right at somebody's worst feelings about themselves. Her scene with the neighbor boy is something right out of Mean Girls as she manipulates him to get what she wants. Hale holds back on showing us exactly what went on with that until the middle of the book, and where before I'd been rolling my eyes a little and saying, "Rinna, honey, so you got a boy to kiss you! Get over your slutty self!" I read that scene and felt pretty squidgy. Quite honestly, if the situation had been reversed, Wilem manipulating Rinna, I'd've been calling for her to nail him in the happy sacks. The eventual endpoint of such power unchecked comes in the villain, who holds an entire castleful of people in her thrall. Rinna takes her as a warning but also feels unwilling sympathy for her, lonely even while blindly beloved.

So what is Hale saying? Don't manipulate others? Be yourself? Be careful about being yourself too much? It's not that simple. Rinna's gift can be dangerous, very easily, but it's also a power that can be used for good, as is shown by Rinna in a few different scenes toward the end. The power doesn't make Rinna evil, it's how she chooses to use it. And that sounds so Disney-fairy-tale-moral-ish, but Hale ably shows how easy it is to make the wrong choice, to use it wrongly or to avoid it wrongly, and then to be mired in regret for the wrong choices you've made. Three examples of women living with powers are Isi, Enna, and Dasha, whom readers will recognize from other books. Rinna idolizes them at first, then slowly comes to see two things: how their powers have made their lives difficult and how they are loved and accepted, powers and all.

The first three books of this series have included a romance subplot, so I was expecting one out of this book, but ultimately I'm glad I didn't get it. Rinna needs to accept and love herself before she can have anything like a meaningful romance with someone else. By the end of the book, she has stepped a careful foot onto that path, but she's not far enough along it for that.

Wednesday, January 13, 2010

It's Awards Season

So, you guys know the ALA Media Awards (otherwise known as OMG Newbery! and OMG Caldecott! and Oh There's Others?) are being awarded next Monday? As they've done in the past, the American Library Association is providing a live webcast, not to mention texting and Twittering and Facebooking the proceedings, because us librarians are all down with the new-fangled technology and stuff.

Susan over at Booklights has posted a really great entry about the ALA Awards, going over some past winners that went on to be classics and also a discussion of the many (18!) awards given out and what they're awarded for. Required reading if you want to know why I'm going to be getting up at 5:30 am next Monday. (East Coasters can breathe now: it starts at 7:45 AM for you. Fracking time zones.)

I don't tend to speculate on the award winners, because most of the time I haven't yet read all the hot contenders. A lot of people seem to like The Evolution of Calpurnia Tate for the Newbery this year. I read it and liked it, and it seems the kind of book that the Newbery Committee likes. But you never can tell--we've had a few wacky upsets in the past decade or so.

For the Printz (excellence in YA literature), do I ever want Marcelo in the Real World to get some librarian love. An Honor, at least. Please, Printz Committee? Please?

What do you think/hope/pray will win?

Saturday, January 09, 2010

Book Review: Eyes Like Stars by Lisa Mantchev

Book: Eyes Like Stars
Author: Lisa Mantchev
Published: 2009
Source: Local Library

Beatrice Shakespeare Smith, better known as Bertie, has always lived in the Theater. Not just the theater world, where people put on greasepaint and costumes every night but go back to their homes and drink coffee and eat scrambled eggs in their own kitchen. No, she grew up in the Theater, going to Wardrobe for all her clothes, eating in the Green Room, and sleeping on a "teenage girl bedroom" stage set. It's the only life she's ever known. Yet she is an anomaly, the only person in the Theater without a role. Everyone else is a character from some play or another, but Bertie is only Bertie. Now seventeen, she's into all manner of mischief, prompting the Stage Manager to threaten her with expulsion from the Theater. Bertie strikes a deal that if she can make an invaluable contribution to the Theater in the next few days, she can stay in the only home she's ever known.

But by her very nature, Bertie stirs things up, and things don't stir up well in a world defined by scripts. Before she knows it, Bertie is hip-deep in trouble, scrambling to find the answers to questions she's never bothered to ask. Questions like, how exactly did Bertie come to the Theater? Who were her parents and why aren't they around? What is the mysterious Book, and what will happen if Ariel (yes, that Ariel) succeeds in tearing out all the pages and setting himself and all his fellow characters free?

And most importantly, how does the only person in the Theater without a script or a role decide what she's going to do next?

Beatrice, from "Much Ado About Nothing," is my all-time favorite Shakespeare heroine, and this Beatrice more than lives up to her namesake. She starts out literally playing the role of a teenager--dying her hair blue, smoking, talking back to the authoritarian Stage Manager. But underneath, you have the strong sense that she is still the same Bertie she ever was, happy to bounce along in her carefully defined world, where the fairies from "A Midsummer Night's Dream" are always mischievous and Ophelia can be depended upon to talk crazy and drown herself in any handy body of water.

But the events of the book force Bertie to change, shifting into new roles. She initially tries to fit these new roles through wardrobe and prompts, but it's her own choices and mistakes that take her further away from the child she was into the adult she could be. At its heart, Eyes Like Stars is a book about the ragged edge between childhood and adulthood, between wanting everything to stay the same and taking responsibility for the changes you create.

I remained as confused at the end as I was at the beginning about the exact nature of the Theater, but maybe I was overthinking. Even more than fiction, theater requires the willing suspension of disbelief, meaning you shouldn't think too hard about people that apparently become invisible to everyone by hiding behind a potted plant, or an "army" that consists of as many extras as the stage manager could spare from other parts. Aside from this fuzziness, this is a book for anyone who loves the theater, especially Shakespeare. Although the Theater is meant to contain all the characters from every play ever written, there are really only a couple of on-stage characters not taken from the Bard, and knowledge of the originals makes the characters in the book even more interesting, especially Ariel. Plus you'll get more of the jokes.

I finished the book in two minds about whether I wanted this to be a series or not. On the one hand, I loved the way it ended. While it's a sort of open ending, it also nicely wraps up the story in progress, leaving Bertie on the cusp of new adventures. On the other hand, there were people to find and rescue, answers to be sought. A little Google-fu informed me that this is the first in a series, and the second, Perchance to Dream, comes out in May. I guess I'll get answers to my questions then, but I am looking forward to seeing more of Bertie.

ETA: source, cuz I forgot it the first time.